10 edition of Music as social text found in the catalog.
|LC Classifications||ML3795 .S424 1991|
|The Physical Object|
|Pagination||viii, 245 p. ;|
|Number of Pages||245|
|ISBN 10||0745608256, 0745608264|
|LC Control Number||91183352|
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Music as Social Text begins by analysing the forces which have made this kind of discussion difficult within the intellectual tradition of the western world.
The book Music as social text book that a society in which reality is grasped in an overwhelmingly visual way has difficulty with expression that is Cited by: Music As Social Text [Shepherd, John] on *FREE* shipping on qualifying offers.
Music As Social Text. Music as social text. Meaning in music ; Functional tonality: a basis for musical hegemony ; The analysis of popular music: class, generation and ethnicity ; Music and male hegemony ; Music, text and subjectivity (with Jennifer Giles-Davis) -- part III.
Musical sociality and musicology. By taking a thematic approach to the study of music appreciation, Music: A Social Experience, Second Edition demonstrates how music reflects and deepens both individual and cultural understandings.
Musical examples are presented within universally experienced social frameworks (ethnicity, gender, spirituality, love, and more) to help students understand how music reflects and 5/5(9). Music as Social Text begins by analysing the forces which have made this kind of discussion difficult within the intellectual tradition of the western world.
The book argues that a society in which reality is grasped in an overwhelmingly visual way has difficulty with expression that is Author: John Shepherd. Product details Hardcover: pages Publisher: Rutgers University Press; None edition (Novem ) Language: English ISBN ISBN Product Dimensions: 6 x x 9 inches Shipping Weight: pounds (View shipping rates and policies) Customer Reviews: out of Reviews: Product details Series: Chicago Studies in Ethnomusicology Paperback: pages Publisher: University of Chicago Press; Pap/Com edition (Octo ) Language: English ISBN ISBN Product Dimensions: x 6 x inches Shipping Weight: pounds (View Reviews: Music as Social Life book.
Read 6 reviews from the world's largest community for readers. People around the world and throughout history have used music 4/5.
Music in the Social and Behavioral Sciences, available in both multimedia digital and print formats, is a must-have reference for music and social science library.
Most of the books on these lists are linked for more information or purchase to Powells, an independent, union labor bookstore. Titles with reviews on this site are noted with an asterisk(*). To learn more about Teaching for Change's program to bring go-go, D.C.'s indigenous music, to.
Music and society have always been intimately related. Music reflects and creates social conditions - including the factors that either facilitate or impede social change. The development of recording techniques in the latter half of the 20th century has revolutionized the extent to which most people have access to music.
All kinds of music are. Music: A Social Experience offers a topical approach for a music appreciation course. Through a present active listening experiences for students to experience music's social and cultural impact.
The book offers an introduction to the standard concert repertoire, but also gives equal treatment to world music, rock and popular music, and. This edited collection, Social Networks and Music Worlds, introduces students and scholars of music in society to the core concepts and tools of social network analysis.
The collection showcases the use of these tools by sociologists, historians and musicologists, examining a variety of distinct 'music worlds', including post-punk, jazz, rap, folk, classical music, Ladyfest and the world of 'open mic'.
This pioneering book by Scott Edgar addresses how music educators can utilize Social Emotional Learning (SEL) to maximize learning in the choral, instrumental, and general music classroom at all levels, and at the same time support a student’s social and.
As COVID rages on, we’re settling deeper into the daily rhythm of our new, socially isolated reality. With our collective denial giving way to begrudging acceptance, many.
Music: A Social Experienceoffers a topical approach for a music appreciation course. Through a series of subjects–from Music and Worship to Music and War and Skip to main contentAuthor: Steven Cornelius, Mary Natvig.
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The book Music as Social Life: The Politics of Participation, Thomas Turino is published by University of Chicago Press. Music as Social Life: The Politics of Participation, Turino All Chicago e-books are on sale at 30% off with the code EBOOK By comparing and contrasting musical offerings in a number of countries and in different contexts from the 19th century until today, The Routledge History of Social Protest in Popular Music aims to be a probing introduction to the history of social protest music, ideal for popular music studies and history and sociology of music courses.
Music is universal. As a successor to the book The Social Psychology of Music, this book aims to provide social psychological answers to the numerous questions concerning music.
Given the prominence music plays in our lives, it is still however imperilled by modern culture. Forewarning an imminent danger to music, it was warned in the previous book that the digital revolution would pave. Book Description. By taking a thematic approach to the study of music appreciation, Music: A Social Experience, Second Edition demonstrates how music reflects and deepens both individual and cultural l examples are presented within universally experienced social frameworks (ethnicity, gender, spirituality, love, and more) to help students understand how music reflects and.-if music embodies common memories and meaning, then it is tied to public and objective social circumstances-to the shared experiences of people in an objective social and physical environment -serves as a record of a civilization or community -link between identity and history.Music: Its Language History, and Culture.
The course has a number To explore with you the historic, social, and cultural contexts and the role of class, ethnicity, and gender in the creation and performance of music, All music involves the unfolding of sounds in time. Some of Cited by: 2.